ONE PERSON
EXHIBITIONS
2022
Regard. Paintings
and hybrid painting. The American Gallery, Marseille, France
2021
Traces, Drawings, video and hybrid, The
American Gallery, Marseille, France
Naomie Kremer: Drawn
In. Large and small scale drawings, 2007-2021. View catalogue
here.
Tour the exhibition with Naomie here.
Read a review here.
Modernism Gallery, San Francisco, CA
2020
Embodiment. Paintings, immersive video
installation with sound, hybrid paintings, Modernism Gallery, San
Francisco, CA
Video at Joe Henderson Lab. Night-time
video installation at San Francisco Jazz, San Francisco, CA
2019
Incarnation. Video and print installation
for Nuit Blanche, Piscine de la Butte aux Cailles,
Paris, France
2018
Untold, Paintings and hybrids, Modernism
Gallery, San Francisco, CA
2017
Vantage.
Paintings, hybrid and video animation, Octavia Art Gallery, New
Orleans, LA
Vantage II. Paintings, hybrid and video
animation, Octavia Art Gallery, Houston, TX
In the
Beginning was Desire. The 40-minute experimental documentary in
collaboration with documentary filmmaker David Grubin is structured
on a series of interviews with Biblical scholar Avivah Zornberg,
with visuals conceived and created by Naomie Kremer. To see stills
from the video, please click here. To
view the entire film on Vimeo please click here
to request the password from the artist.
2016
Fugitive
Earth, paintings and video, Modernism Gallery, San Francisco,
CA
Rudimentary Moves, animation, Berkeley Art Museum
outdoor LED screen, Berkeley, CA To view installation, please click
here.
2015
Walkabout. One person exhibition of new paintings at
Von Fraunberg Gallery, Dusseldorf, Germany.
Age of
Entanglement. One person exhibition of video and hybrid
paintings. San Jose Institute of Contemporary Art, San Jose, CA
Video at Joe Henderson Lab. Night-Time Video Installation at
San Francisco Jazz, San Francisco, CA
2014
Desire
Lines. Modernism, San Francisco, CA
Video at Joe
Henderson Lab. Nightly Video Installation at San Francisco Jazz, San
Francisco, CA
2013
Rudimentary Moves,
installation of the painting Rudimentary Pixillation, and its video
animation. Berkeley Art Museum lobby, Berkeley, CA
Sightlines,
survey exhibition, Modernism Gallery, San Francisco, CA
2012
Arcadia. Von Fraunberg Gallery, Dusseldorf, Germany
Naomie Kremer: Liquid Light. 212 Gallery, Aspen, CO
2011
Multiverse I. Paintings. Modernism
Gallery, San Francisco, CA
Multiverse II. Hybrid
paintings. Modernism Gallery, San Francisco, CA
2010
Motion Pictures: Hybrids and Paintings. Frank
Pictures Gallery, Santa Monica, CA
Naomie Kremer:
Flying Colors. Von Fraunberg Gallery, Dusseldorf, Germany
Naomie Kremer: On Location. McClain Gallery<,
Houston, TX
2009
Ghosts. Magnes Museum
Windows, Berkeley, CA
Paintings and Hybrids.
Modernism Gallery, San Francisco, CA
Between the Lines
(Entre les Lignes). Galerie Impaire, Paris, France
2008
Force Fields. Hosfelt Gallery, New York, NY
Quote
Unquote: Text Animations and Hybrid Paintings. Knoedler &
Co. Project Space, NY, NY
2007
Pleasure and
Paint. Hosfelt Gallery, New York, NY
Polyglot.
Modernism Gallery, San Francisco, CA
2005
Keeping
Time: Naomie Kremer Works 1992-2004. San Jose Institute of
Contemporary Art, San Jose, CA
Shtetl. Video
installation with 15 prints. Magnes Museum, Berkeley, CA
Syncopations. Modernism, San Francisco, CA
Paint
Moves. Modernism at Foreign Cinema, San Francisco, CA
2004
Ports of Call. Modernism, San Francisco, CA
Portails. Institut Franco-Americain, Rennes, France
2003
Telling Paint: Paris-Oakland.
Modernism, San Francisco, CA
2001
New
Paintings. Modernism San Francisco, CA
Known/Unknown.
Plaza Gallery, Bank of America Center, San Francisco, CA
Naomie
Kremer. Denise Roberge Art Gallery, Palm Desert, CA
Text
Moves. San Jose Institute of Contemporary Art, San Jose, CA
2000
Naomie Kremer. Bentley Gallery,
Scottsdale, AZ
1999
Recent Paintings.
Modernism, San Francisco, CA
1998
Recent
Paintings. Modernism, San Francisco, CA
1997
Recent Paintings. Modernism, San Francisco, CA
Naomie Kremer. John n Joe Gallery, Los Angeles, CA
Naomie Kremer. d.p. fong gallery, San Jose, CA
1996
Paintings. Ottocentodiciassette, Oakland, CA
1994
Paintings. Two Transamerica Center, San Francisco, CA
1993
Large-scale Drawings. Door Three
Gallery, Oakland, CA
SELECTED GROUP
EXHIBITIONS
2022
Digital
Reality. Octavia Art Gallery, New Orleans, LA
The
Alchemy of Place. Gallery Commonweal, Bolinas, CA
Dennis
Leon and the Art of Instruction. Oliver Art Center, Tecoah
Bruce Gallery, Oakland, CA
2021
Building Bridges, Breaking
Boundaries. Read the press release here.
Artists in the exhibition include Lia Cook, Naomie Kremer, Teddy
Milder, Francesca Pastine, Mary Curtis Ratcliff, Elizabeth Sher.
Curated by Hanna Regev, Ruth's Table, San Francisco, CA
2020
Disobey Orders, Save the Artists.
The Alma Enigma, video installation, The American Gallery,
participating in Manifesta 13 Biennial, Marseille, France
Landscape:
Awe to Activism. Museum of Sonoma County, Santa Rosa, CA
de
Young Open. De Young Museum, San Francisco, CA
Created
in Place. Modernism Gallery, San Francisco, CA
2019-20
Not
Just Landscapes. Sebastopol Center for the Arts, Sebastopol,
CA
Color Theory and Interaction. Ruth’s Table, San
Francisco, CA
2019
Through the Looking Glass.
Group exhibition with Naomie Kremer, Judy Dater, Laurie Lipton,
Elina Anatole. Foreign Cinema, SF
2018
Independent Vision: Modern and
Contemporary Art from the Martin Muller Collection. Arkansas
Art Center, Little Rock, Arkansas
Way Bay 2. Group
exhibition, Berkeley Art Museum and Pacific FIlm Archive, Berkeley,
CA
Wonder Women: 10 Bay Area Figurative Artists.
Berkeley Art Center, Berkeley, CA
Group Exhibition. Bank of
America Financial Center, Houston, TX
2017
Summer
Sex II. Lichtundfire, New York, NY
About Abstraction.
Bedford Gallery, Walnut Creek, CA
Sound Maze. Video
animation in Paul Dresher musical instrument installation at Napa
Valley Museum, Napa, CA
2016
Dynamic
Gestures featuring work by Naomie Kremer, Charley Brown, Tim
Craighead, David Einstein, Triton Museum of Art, Santa Clara, CA
Dada Here and Now, group exhibition curated by Hanna
Regev and Matt McKinley. Fort Mason, San Francisco, CA
2015
Artragious. Palm
Springs Art Museum, Palm Springs, CA
Living with Endangered
Languages. Root Division, San Francisco, CA
Small is
Beautiful. Flowers Gallery, New York, NY
2014
Critical
Connections: Exhibition of International Contemporary Art.
Beijing Museum of Contemporary Art, Beijing, China
Here:
Artists Annual Part I. Berkeley Art Center, Berkeley, CA
Into
the Future: New Gifts to Commemorate the Museum's 75th Anniversary.
Palm Springs Art Museum, Palm Springs, CA
Mind Matters,
Mapping the Human Brain through Neuroscience. Atrium, Sandler
Neuroscience Center, UCSF, San Francisco, CA
2013
AUTOUR
DU DESIR, All About Desire. Group exhibition. Modernism
Gallery, San Francisco, CA
2012
Do
Not Destroy: Trees, Art and Jewish Thought. Contemporary Jewish
Museum, San Francisco, CA
Exit Art: Printed Histories, 15
Years of Print Portfolios. Exit Art, New York, NY
Group
Exhibition. 212 Gallery, Aspen, CO
Get Lucky: The Culture
of Chance. SOMArts, San Francisco, CA
2011
Framing
Abstraction: Mark, Symbol, Signifier. Los Angeles Municipal Art
Gallery, Barnsdall Park, Los Angeles, CA
ABSTRACT NOW:
Selections by Peter Selz. Berkeley Art Center, Berkeley, CA
2010
The 13th Annual Art of
Baseball Exhibition. George Krevsky Gallery, San Francisco, CA
The Seduction of Duchamp: Bay Area Artists' Response.
Los Gatos Museum of Art, Los Gatos, CA
In Full Color.
Hosfelt Gallery, New York, NY
2009
Theaters
of Memory: Art and the Holocaust. The Jewish Museum, New York,
NY. Group exhibition withartists Eleanor Antin,
Christian
Boltanski, Matthew Buckingham, Tadeusz Kantor, Anselm Kiefer, Naomie
Kremer, Fabio Mauri, George Segal, Frederic Matys Thursz
The
New Omega Workshops. September Gallery, Berlin, Germany
2008
@60.art.israel.world. Magnes
Museum, Berkeley, CA
Banned and Recovered: Artists Respond
to Censorship. African American Museum and Library, Oakland, CA
2007
Solstice. David
Floria Gallery, Aspen, CO
2006
The
Studio Visit. Video exhibition, Exit Art, New York, NY
Preview. Hosfelt Gallery, New York, NY
Le
Travail Vu Par... Conservatoire National des Arts et Metiers,
Nantes, France
August Company. David Floria Gallery,
Aspen, CO
2005
New Paintings by
Naomie Kremer, Robert Kelly & Gary Komarin. David Floria
Gallery, Aspen, CO
Dialogues. Creative Growth Art
Center, Oakland, CA
Tantra: 2005 Exit Art Benefit
Print Portfolio Exhibition. Cecily Brown, YZ Kami, Naomie Kremer,
Erik Parker, Joyce Pensato, Fred Wilson. New York, NY
2004
Terrorvision. Exit
Art, New York, NY
Paint. SFMOMA Artists Gallery, San
Francisco, CA
2003
Is, Was,
Will Be. Mona Bismarck Foundation, Paris, France
The
Art of Zyzzyva. 871 Fine Arts, San Francisco, CA
Pulp
Fiction. French Library and Cultural Center, Boston, MA
2002
Being There. Oakland
Museum of California, Oakland, CA
Faculty Exhibition.
California College of Arts and Crafts, Oakland, CA
Selected
Abstract Paintings. Modernism, San Francisco, CA
Banner
Project. UCSF Medical Center, San Francisco, CA
Invitational:
Shikishi. Bedford Gallery, Walnut Creek, CA
2001
The
End. Exit Art, New York, NY
1:1. Refusalon
Gallery, San Francisco, CA
Fresh Paint at Latham
Square. Oakland, CA
Electronic Language International Festival
2001. Museu da Imagem edo Som, Sao Paulo, Brazil
The Open
Museum Net.Art. Irish Museum of art, Dublin, Ireland
The
Bit Screen. Druid Media, May-July 2001 Internet exhibition
1999
Invitational '99. Knoedler
and Company, New York, NY, 3-person exhibition
Faculty
exhibition. San Francisco Art Institute, San Francisco, CA
CCAC
Alumni Exhibition. Oliver Art Center, Oakland, CA
20th
anniversary group exhibition. Modernism, San Francisco, CA
1998
50/Fifty – Israeli Art from
Bay Area Collections. The Jewish Museum, San Francisco, CA
California College of Arts and Crafts Alumni Exhibition. Mills
Building, San Francisco, CA
Faculty exhibition. San Francisco
Art Institute, San Francisco, CA
1997
Group
exhibition. d.p. fong gallery, San Jose, CA
1996
Sources
and Refinements. San Bernardino County Museum of Art, Redlands,
CA
Fields of dreams and colors. Four painters, Korean
Cultural Center, Los Angeles, CA
Group exhibition. Gallery
House, Palo Alto, CA
1995
Group
exhibition. SITE Gallery, Los Angeles, CA
Faculty Exhibition.
University Art Gallery, CSU Hayward, CA
Beauty is
Abstract. Modesto Junior College. Modesto, CA
California
Dreaming. The Bayfront Gallery. Fort Mason Center, San Francisco, CA
Paper View. Cohen Berkowitz Gallery. Kansas City, MO
Group exhibition. Holter Museum of Art. Helena, MT
Being
on earth. Gallery Route One. Point Reyes, CA
Annual
exhibition. Gallery 2020. Santa Barbara, CA. Award winner
1994
Fever. Wexner Center
for the Arts. Columbus, Ohio. Exhibition originating at Exit Art,
New York
Three-person exhibition. SFMOMA Artists Gallery, San
Francisco, CA
Bioscape. Three-person exhibition.
Richard H. Reynolds Gallery, University of the Pacific, Stockton, CA
1993
The Abstracted Landscape.
Oakland Museum Collectors Gallery. Oakland, CA
Drawing
First. Southern Exposure Gallery. San Francisco, CA
1992
Fever. Exit Art. New
York, NY
8th Annual National Exhibition (Drawing). Berkeley
Art Center Association. Berkeley, CA
1991
Bay
Arts Exhibition. San Mateo Arts Council. San Mateo, CA. Award winner
VIDEO-BASED WORK FOR PERFORMANCE AND FILM
2022
Nolan Gasser & The Mighty Mighty
at SF Jazz. Immersive video projections. SF JAZZ, San Francisco, CA. See the performances at these links:
Link 1 to Part 1.
Link 2 to Part 2.
Until Love Please. Presented by The Kitchen and JCC East
Bay. Video projections for a night of poetry, music and dance (short excerpt here)
from the Song of Songs. Berkeley, CA
2020
Song of the Earth by Gustav Mahler. Video backdrop. Musiques Interdites production.
Marseille Opera House, France.
En Mémoire de.... Video backdrop. (See excerpt
here)
Musiques Interdites production.
Musée d’Histoire de Marseille, France.
Toute la Lyre. Abbaye St. Victor. Musiques Interdites
production. Marseille, France
2019
Three for Two. Video projections (view here) for Paul Dresher Ensemble, ODC theater, San Francisco,
CA
Tristan and Isolde, by Richard Wagner. Video backdrop
for concert version production commissioned by Claude Heater
Foundation, performed at Penderecki Center in Luslawice, Poland
In the Beginning was Desire. Film screening and Q&A
with Dr. Avivah Zornberg. A David Grubin Film with Visual
Conceived and Created by Naomie Kremer. Temple Emanuel, Streicker
Center, New York, NY
2018
Lucia Berlin: Stories. Video
set for Word for Word production, performed at Z space, San
Francisco, and touring to Paris, Nancy, and Angers, France
Tristan and Isolde, by Richard Wagner. Video backdrop
for concert version production commissioned by Claude Heater
Foundation, performed at The Herbst Theater, San Francisco
Alcina, by GF Handel Roxie Theater screening, 1-hour
edited version of performance in Acre, Israel, with video backdrop
created by Kremer
2017
In the Beginning was Desire.
Animation for 40-minute experimental documentary film in
collaboration with filmmaker David Grubin. Based on an interview
with Biblical scholar Avivah Zornborg.
Artist's residency, Power Art Center, Wayne, NJ
2016
Alcina. Opera by George
Frederick Handel, 2-hour 14-minute video backdrop for performance by
French Baroque Orchestra Les Talens Lyriques, Crusader’s
Courtyard, Acre, Israel
2015
The Secret Garden. Visual
Designer, East Coast Premiere, Opera Theater of Weston, VT
2013
The Secret Garden. Visual Designer for
video-based set, world premiere opera, co-commissioned by San
Francisco Opera and Cal Performances, San Francisco, CA
2011
Light Moves. A
collaboration between Margaret Jenkins Dance Company, multi-media
artist Naomie Kremer, composer Paul Dresher and poet Michael Palmer,
co-commissioned by Yerba Buena Center for the Arts and University of
Maryland, Clarice Smith Center for the performing Arts. Performed at
Novellus Theater, Yerba Buena Center for the Arts; toured to The
Dance Center, Columbia College, Chicago, IL in 2012.
2008
Bluebeard's Castle. Opera by
Béla Bartók. Video set design commissioned by the Berkeley Opera,
Berkeley, CA
SELECTED AWARDS, TEACHING AND OTHER
ACTIVITIES
2017
Journal of
Contemporary Painting, October special issue, Painting and Time.
Click here to see
Kremer text and image.
Artist's residency, Power Art Center,
Wayne, NJ
2012
Guest lecture at
Columbia College: Dance and Technology; Multi-media Painting Studio,
Chicago, IL
2011
Guest lecture.
Digital Cultural and Creativity, University of Maryland
2010
Visiting artist. Ringling
College of Art and Design, Sarasota, FL
2007
Visiting
artist. California College of the Arts, San Francisco, CA
Guest
lecture. Mills College, Oakland, CA
2006
Guest
lecture. Oxbow School, Napa, CA
2005
Exit
Art Benefit Portfolio Artist, 2005. Silkscreen edition of 50, New
York, NY
Visiting Artist. Pont-Aven School of Contemporary
Art, Brittany, France
Interview. Aspen public radio station,
conducted by Jim Baker, Aspen, CO
2003
Faculty,
Painting and Drawing. San Francisco Art Institute, San Francisco,
CA
2002
Faculty, Painting and
Drawing. California College of the Arts, San Francisco, CA
Guest
lecture. Syracuse University Painting Program, Florence, Italy
Guest lecture. Ruskin School of Drawing and Painting, Oxford
University, England
2001
Faculty,
Painting and Drawing. California College of the Arts, San Francisco,
CA
2000-3
Curatorial committee.
Southern Exposure Gallery, San Francisco, CA
1999
Artist'sresidency, Djerassi
Foundation, Woodside, CA
Artist'sresidency. Joshua Tree
National Park, 29 Palms, CA
Curatorial Board. New Langton Arts,
San Francisco, CA
Board of Directors. Zyzzyva, San Francisco,
CA
1996-7
Faculty, Painting and
Drawing, California State University, Hayward, CA
1992
Cadogan Art Fellowship Award. San Francisco
Foundation, San Francisco, CA
The Bus Shelter Gallery.
Conceived, implemented, and directed six-month
program of
juried exhibitions by Bay Area MFA students at SFMOMA bus shelter,
San Francisco, CA
SELECTED PUBLICATIONS
NAOMIE KREMER: KEEPING TIME. Essays by Cathy Kimball, Eleanor
Heartney and Amei Wallach
NAOMIE KREMER: On Paper. Essays by
Jonathon Keats and Robert Flynn Johnson
AGE OF ENTANGLEMENT.
Essay by Jonathon Keats
QUOTE UNQUOTE: Text Animations and
Hybrid Paintings. Introduction by Marella Consolini
DRAWN IN:
Large and small works on paper. Essay by Jonathon Keats
MATINEE.
Artist’s book of drawings and text by Naomie Kremer
ONE YEAR
POEMS. By Naomie Kremer
SELECTED PUBLIC AND CORPORATE COLLECTIONS
Arkansas Art Center, Little Rock, Arkansas
Art, Design and
Architecture Museum, University of California, Santa Barbara,
CA
Chazen Museum of Art, University of Wisconsin
Earl
Warren and Hiram Johnson State Office Building, Civic Center Plaza,
San Francisco, CA
Fine Arts Museums of San Francisco, Achenbach
Foundation for Graphic Arts, S.F., CA
Hammer Museum, University
of California, Los Angeles
Hewlett Packard Corporation,
Roseville, CA
Magnes Museum, Berkeley, CA
Mills College
Art Museum
Mulia Hotel, Jakarta, Indonesia
New York Public
Library
Pennsylvania Academy of the Fine Arts, PA
Picker
Art Gallery, Colgate University
Queens Museum, NY
Reuters
Holdings PLC, San Francisco, CA
Richmond Center for Visual
Arts, Western Michigan University, MI
RISD Museum of Art,
LI
San Francisco Museum of Modern Art, CA
Tang Museum
The
Brooklyn Museum, NY
The Frances Lehman Loeb Art Center, Vassar
College
Thomas Weisel Partners, San Francisco, CA
United
States Embassy, Beijing, China
University of California,
Berkeley Art Museum, Berkeley, CA
University Museum of
Contemporary Art, University of Massachusetts, Amherst
Vera
List Center, New School, NY
Washington Convention Center Art
Collection, Washington DC
Whitney Museum of American Art, New
York, NY
Williams College Museum of Art
Yale University
Art Gallery, CN
Zimmerli Art Museum, Rutgers University
EDUCATION
1993 California College of the Arts,
Oakland, CA, MFA, Painting and Drawing, High Distinction
1977
Sussex University, Brighton, England, MA, Art History, modern
period
1975 University of Rochester,
Rochester, N.Y. BA, Phi Beta Kappa, Summa Cum Laude
1974
London School of Economics and Political Science, London, England,
year abroad
EXHIBITIONS
Square Cylinder,
by David Roth
"Kremer fosters the illusion of multiple
perspectives by linking clusters of loose and tightly knit
brushstrokes in patterns whose closing rhythms vary enormously within
any single canvas. The feel is of colliding force fields…
The
dominant feel is of an organic Cubism, achieved without
interpenetrating planes...
For Kremer, nature is the
springboard for abstraction. She rejuvenates it by placing total
faith in her own gestural impulses. Carried forward in video feedback
loops that both break apart and reconstruct the source material, they
deliver Abstract Expressionism into the digital present."
SF ARTS QUARTERLY, by John
Held
"In Naomie Kremer’s paintings, there are
thousands of strokes, but none seem wasted and all seem to build
toward a crescendo of unimaginable harmony. I marvel at her
confidence, because no one can foretell where a work like this is
leading."
REVIEWS
STAGED WORKS
LIGHT MOVES
Margaret Jenkins Dance
Company
Chicago
Tribune, by Sid Smith
"…the richly collaborative
thrust behind this piece includes the mesmerizing, delicately
beautiful projection of designer Naomie Kremer."
SF Examiner, by Stephen
Smoliar
"Kremer’s images explore the complexity of
such perception…creating what is almost an ingenious laboratory in
which we can ponder just what it is that the mind is doing in the
midst of all those changes…."
SECRET GARDEN
San Francisco Opera and Cal Performances
SF Chronicle, by Joshua
Kosman
"Perhaps the most delectable aspect of Friday’s
premiere…was the visual design of Naomie Kremer, a series of video
projections that did a superb job of capturing the piece’s mood and
detail."
The Daily
Californian, by Addy Bhasin
"These stunning sets can be attributed to multimedia
artist Naomie Kremer, whose work is exhibited at the Berkeley Art
Museum and the U.S. Embassy in Beijing."
2020
Squarecylinder.com,
March 2020, "Naomie Kremer @ Modernism," by David M. Roth.
2019
QUANTUM ENTANGLEMENT: A NEW SOURCE
OF ARTISTIC CREATION, By Iñigo Sarriugarte Gómez, ARBOR
Ciencia, Pensamiento y Cultura Vol. 195, No. 794
2018
San Francisco Classical Voice, August
28, 2018, "Operatic Startup Delights With a
Splendid Tristan," By Janos Gereben.
San
Francisco Chronicle, August 27, 2018. "Out of nowhere, an
excellent ‘Tristan’ pops up in San Francisco," by Joshua
Kosman
Squarecylinder.com,
February 22, 2018, "Naomie Kremer @ Modernism," by David
M. Roth.
theatrius.com,
February 19, 2018, "Lucia Berlin: Stories," by Kim
Waldron.
broadwayworld.com,
January 29, 2018, "Lucia Berlin: Stories Word for Word,"
by BWW News Desk.
The
San Francisco Chronicle, February 22, 2018, "Leah Garchik
Column," by Leah Garchik.
2017
Squarecylinder.com, November 29, 2017,
"About Abstraction @ Bedford," by Barbara Morris.
2016
Ha'aratz, August 29, 2016, "Bathing
Ancient Acre in Baroque Sound," by Haggai Hitron.
Squarecylinder.com,
January 2, 2016, "Best of 2016," by David Roth.
2015
Squarecylinder.com,
August 18, 2015, "Naomie Kremer @ San Jose Institute of
Contemporary Art," by David Roth.
SciArt in America,
August 11, 2015, "Naomie Kremer Tackles Quantum Entanglement At
The San Jose Institute of Contemporary Art," by Joe Ferguson.
Art
Practical, January 28, 2015, "Living with Endangered
Languages in the Information Age," by Nancy Garcia, Shotgun
Reviews.
The Manchester Journal, January 14, 2015, "Opera
Theatre of Weston's 'Garden' in full bloom," by Telly Halkias,
Entertainment.
Rutland Daily
Herald, January 11, 2015, "Is opera for children? Yes, when
Weston does it," by Jim Lowe, Opinion, page B7
2013
San
Francisco Arts Quarterly, "Naomie Kremer: The Surety of
Stroke," by John Held, Jr.
The
San Francisco Chronicle, Datebook, page 1, March 4, 2013,
“Secret Garden Review: Child’s Delight,” by Joshua Kosman.
The Daily
Californian, March 4, 2013, “Review: ‘The Secret Garden’
blooms into hope and visual bliss,” by Addy Bhasin.
The
Oakland Tribune, Time Out Weekend, page 14, February 21-27, 2013,
“Secret Garden Blooms Anew,” by Richard Scheinin.
Press
Democrat, “First for Gasser at SF Opera, by Diane Peterson,”
Wed., Feb. 27, 2013
The
Opera Tattler, March 2, 2013, “World Premiere of The
Secret Garden
SF
Examiner, Friday, February 24, 2013, “Opera, families come
together in The Secret Garden,” by Janos Gereben
Stage
and Cinema, “Bay Area opera Review: The Secret Garden
(Cal Performances and SF Opera at Zellerbach Hall),” by Stacy
Trevenon
Berkeley Patch,
March 7, 2013, “Review: ‘The Secret Garden’ at
Zellerbach Wins Thumbs Up,” by Caroline Crawford
San
Francisco Classical Voice, March 3, 2013, “Seeing is Believing
in The Secret Garden, San Francisco Opera,” by Janos
Gereben
San
Francisco Classical Voice, February 19, 2013, “An opera to
open worlds: The Secret Garden,” by Georgia Rowe.
San
Francisco Chronicle, 96 Hours, four day weekend guide, Feb. 28
to Mar. 3, “Nolan Gasser's Secret Garden blooms,” cover story,
by Meredith May.
2012
artssf.com,
Nov. 4-11, 2012, "New Dimensions in Video Design in Jenkins
Dance's New 'Light Moves,'" by Paul Hertelendy.
The
Chicago Tribune, February 10, 2012, "Margaret Jenkins work
a dance of light," by Sid Smith.
Time
Out Chicago, February 8, 2012, "Margaret Jenkins Dance
Company's Light Moves," by Zachary Whittenburg.
Backstage
at the Center magazine, Spring 2012, Volume 11, No. 2 "The
Art of Collaboration," by Phil Reynolds.
2011
San
Francisco Chronicle, Saturday November 5, 2011,"'Light
Moves' review: Meditative digital-human mix," by Mary Ellen
Hunt.
San
Francisco Examiner, November 4, 2011, "Light moves in
mysterious ways at Yerba Buena," by Stephen Smoliar.
San
Francisco Chronicle, Thursday, November 3, 2011, "Margaret
Jenkins, Naomie Kremer add light touch," by Allan Ulrich.
Art
Ltd., March, 2011, "Naomie Kremer at Modernism, San
Francisco, CA" by Marlena Donohue
2009
Art in America
, International Review, October 19, 2009, "Between the
Lines, Art Brut and Professionalism," by Alice Pfeiffer
Art
Ltd., May 2009, "Naomie Kremer: Paintings and
Hybrids at Modernism" by Hearne Pardee
2008
ArtNews, March
2008, p. 147-8, "Naomie Kremer, Modernism" by Lea
Feinstein
Bluebeard's Castle (click here
to see excerpts of reviews)
2007
Art
In America, June/July 2007, p. 206, "Naomie Kremer at
Hosfelt" by Leigh Anne Miller
ArtNews,
March 2007, p. 145-6, "Naomie Kremer and Crystal Liu at Hosfelt
Gallery" by Robert Ayers
The L Magazine, Jan
31-Feb 13, 2007, p. 60, "Naomie Kremer: Pleasure and Paint"
by Kate Lowenstein
2006
PiL',
October 2006, p. 27, "Le dessin au travail" by Christophe
Cesbron
2005
Art
News, October 2005, p. 174-6, "Naomie Kremer, Modernism
West, San Fransisco" by Kenneth Baker
Artweek,
September 2005, Volume 36, Issue 7, p.16 "Naomie Kremer at the
Judah L. Magnes Museum," by Jordan Essoe
Apple
Computer, July 22, 2005, Apple Pro, "Paint Moves," by
Barbara Gibson
San
Jose Mercury News, May 1, 2005, Arts & Entertainment, p.
5-E, "Painting with urgency: An artist grapples with the flow
of time," by Jack Fischer
Metro
Silicon Valley, April 20-26, 2005, p. 53 "Pigment
Pleasures: The abstractions of Naomie Kremer shimmer in full flux at
SJICA," by Michael S. Gant
Vyu
Magazine, Issue 22, Interview with Naomie Kremer
Art
News, January 2005, p. 132, "25th Anniversary,
Modernism San Francisco," by Kenneth Baker
2004
Art Contemporaries, Winter 2004, cover and p.
12-13, "Keeping Time: Naomie Kremer Works, 1992-2004," by
Cathy Kimball
Ouest France, "Naomie Kremer,"
December 10, 2004, p. 8
Sortir, "Naomie Kremer"
December 7, 2004, Rennes, France, p. 25
Art News,
September 2004, p. 94, "City Focus: San Francisco - Bubbling
Over in Talent," by Kenneth Baker
San Francisco Arts
Monthly, April 2004, Volume 13, Number 11, p. 1, "Art
Dealers Champion Bay Area Visual Art," by Sura Wood
2002
Tema
Celeste, Vol. 92 , Summer 2002, pp. 18-21, "Behind the
veil," by Reena Jana
Smithsonian Archives of American
Art Journal, Vol. 41, 2001, p. 74, "West Coast Regional
Report," by Paul Karlstrom
UCSF Newsbreak, Vol.
17, NO. 21, "Campus Enjoys Banner Year for Art in Public
Places," by Lisa Cisneros
2001
ArtNews,
Summer 2001, p. 179, "Naomie Kremer, Modernism, San Francisco,"
by Kenneth Baker
Artweek, Vol. 32, Issue 5, May 2001,
p.18, "Naomie Kremer at Modernism," by Harry Roche
1999
San Francisco Chronicle, Saturday, November
27th, 1999, Datebook p.1
"Abstract Ideas People Can See,"
by Kenneth Baker
NY Arts,
October, 1999, Vol. 4 No. 10, previews/reviews
Max Cole, Naomie
Kremer, Christine Taylor Patten at Knoedler Gallery
1998
San Francisco Chronicle,
Thursday, July 9th, 1998, Datebook p.1
"Intense Paintings
Engross Viewers in Another's Mind," by Kenneth Baker
Art
News, October, 1998, p.150
"Naomie Kremer, Modernism,
San Francisco," By Marcia Tanner
San Francisco
Examiner, Tuesday, August 11, 1998, section B, p.1
"Ten
Takes on Painterly Abstraction," By David Bonetti
Artweek,
September, 1998, p.19
"Naomie Kremer and Sheldon
Greenberg at Modernism," by Juan Rodriguez
San
Francisco Arts Monthly, June, 1998, Vol. 9, No. 2,
p.1
"50/Fifty: Israeli Art from Bay Area Collections,"
by Claudia Gioseffi
1997
Flash
Art International, Summer, 1997, p. 99
"Gottfried
Helnwein/Naomie Kremer, Modernism, San Francisco," by Reena
Jana
1996
Zyzzyva, Summer,
1996, pp.41-45
"For the Record," images and words by
Naomie Kremer
1995
Asian Art
News, Jan/Feb 1995, p.69
"Naomie Kremer at the San
Francisco Museum of Modern Art Rental Gallery," by Reena
Jana
1994
San Francisco Bay
Guardian, October 26, 1994, p.72
"Critic's Choice -
Art: Naomie Kremer," by Harry Roche
Artweek, May
19, 1994, p.17
"Back in Style," by Naomie
Kremer
1993
Artweek, April,
1993, p.21
"On Painting: Some Notes," by Naomie
Kremer
1992
Artweek,
December 1992, pp.16-18
"Landmarks along the city streets:
A phenomenon called bus shelter art," by Reena Jana
"The
Bus Shelter Gallery: An Artistic Statement," By Naomie Kremer
