Square Cylinder, by David Roth
"Kremer fosters the illusion of multiple perspectives by linking clusters of loose and tightly knit brushstrokes in patterns whose closing rhythms vary enormously within any single canvas. The feel is of colliding force fields…
The dominant feel is of an organic Cubism, achieved without interpenetrating planes...
For Kremer, nature is the springboard for abstraction. She rejuvenates it by placing total faith in her own gestural impulses. Carried forward in video feedback loops that both break apart and reconstruct the source material, they deliver Abstract Expressionism into the digital present."
SF ARTS QUARTERLY, by John Held
"In Naomie Kremer’s paintings, there are thousands of strokes, but none seem wasted and all seem to build toward a crescendo of unimaginable harmony. I marvel at her confidence, because no one can foretell where a work like this is leading."
Margaret Jenkins Dance Company
Chicago Tribune, by Sid Smith
"…the richly collaborative thrust behind this piece includes the mesmerizing, delicately beautiful projection of designer Naomie Kremer."
SF Examiner, by Stephen Smoliar
"Kremer’s images explore the complexity of such perception…creating what is almost an ingenious laboratory in which we can ponder just what it is that the mind is doing in the midst of all those changes…."
San Francisco Opera and Cal Performances
SF Chronicle, by Joshua Kosman
"Perhaps the most delectable aspect of Friday’s premiere…was the visual design of Naomie Kremer, a series of video projections that did a superb job of capturing the piece’s mood and detail."
The Daily Californian, by Addy Bhasin
"These stunning sets can be attributed to multimedia artist Naomie Kremer, whose work is exhibited at the Berkeley Art Museum and the U.S. Embassy in Beijing."
QUANTUM ENTANGLEMENT: A NEW SOURCE OF ARTISTIC CREATION, By Iñigo Sarriugarte Gómez, ARBOR Ciencia, Pensamiento y Cultura Vol. 195, No. 794
San Francisco Classical Voice, August 28, 2018, "Operatic Startup Delights With a Splendid Tristan," By Janos Gereben.
San Francisco Chronicle, August 27, 2018. "Out of nowhere, an excellent ‘Tristan’ pops up in San Francisco," by Joshua Kosman
Squarecylinder.com, February 22, 2018, "Naomie Kremer @ Modernism," by David M. Roth.
theatrius.com, February 19, 2018, "Lucia Berlin: Stories," by Kim Waldron.
broadwayworld.com, January 29, 2018, "Lucia Berlin: Stories Word for Word," by BWW News Desk.
The San Francisco Chronicle, February 22, 2018, "Leah Garchik Column," by Leah Garchik.
Squarecylinder.com, November 29, 2017, "About Abstraction @ Bedford," by Barbara Morris.
Ha'aratz, August 29, 2016, "Bathing Ancient Acre in Baroque Sound," by Haggai Hitron.
Squarecylinder.com, January 2, 2016, "Best of 2016," by David Roth.
Squarecylinder.com, August 18, 2015, "Naomie Kremer @ San Jose Institute of Contemporary Art," by David Roth.
SciArt in America, August 11, 2015, "Naomie Kremer Tackles Quantum Entanglement At The San Jose Institute of Contemporary Art," by Joe Ferguson.
Art Practical, January 28, 2015, "Living with Endangered Languages in the Information Age," by Nancy Garcia, Shotgun Reviews.
The Manchester Journal, January 14, 2015, "Opera Theatre of Weston's 'Garden' in full bloom," by Telly Halkias, Entertainment.
Rutland Daily Herald, January 11, 2015, "Is opera for children? Yes, when Weston does it," by Jim Lowe, Opinion, page B7
San Francisco Arts Quarterly, "Naomie Kremer: The Surety of Stroke," by John Held, Jr.
The San Francisco Chronicle, Datebook, page 1, March 4, 2013, “Secret Garden Review: Child’s Delight,” by Joshua Kosman.
The Daily Californian, March 4, 2013, “Review: ‘The Secret Garden’ blooms into hope and visual bliss,” by Addy Bhasin.
The Oakland Tribune, Time Out Weekend, page 14, February 21-27, 2013, “Secret Garden Blooms Anew,” by Richard Scheinin.
Press Democrat, “First for Gasser at SF Opera, by Diane Peterson,” Wed., Feb. 27, 2013
The Opera Tattler, March 2, 2013, “World Premiere of The Secret Garden
SF Examiner, Friday, February 24, 2013, “Opera, families come together in The Secret Garden,” by Janos Gereben
Stage and Cinema, “Bay Area opera Review: The Secret Garden (Cal Performances and SF Opera at Zellerbach Hall),” by Stacy Trevenon
Berkeley Patch, March 7, 2013, “Review: ‘The Secret Garden’ at Zellerbach Wins Thumbs Up,” by Caroline Crawford
San Francisco Classical Voice, March 3, 2013, “Seeing is Believing in The Secret Garden, San Francisco Opera,” by Janos Gereben
San Francisco Classical Voice, February 19, 2013, “An opera to open worlds: The Secret Garden,” by Georgia Rowe.
San Francisco Chronicle, 96 Hours, four day weekend guide, Feb. 28 to Mar. 3, “Nolan Gasser's Secret Garden blooms,” cover story, by Meredith May.
artssf.com, Nov. 4-11, 2012, "New Dimensions in Video Design in Jenkins Dance's New 'Light Moves,'" by Paul Hertelendy.
The Chicago Tribune, February 10, 2012, "Margaret Jenkins work a dance of light," by Sid Smith.
Time Out Chicago, February 8, 2012, "Margaret Jenkins Dance Company's Light Moves," by Zachary Whittenburg.
Backstage at the Center magazine, Spring 2012, Volume 11, No. 2 "The Art of Collaboration," by Phil Reynolds.
San Francisco Chronicle, Saturday November 5, 2011,"'Light Moves' review: Meditative digital-human mix," by Mary Ellen Hunt.
San Francisco Examiner, November 4, 2011, "Light moves in mysterious ways at Yerba Buena," by Stephen Smoliar.
San Francisco Chronicle, Thursday, November 3, 2011, "Margaret Jenkins, Naomie Kremer add light touch," by Allan Ulrich.
Art Ltd., March, 2011, "Naomie Kremer at Modernism, San Francisco, CA" by Marlena Donohue
2009 "Between the Lines, Art Brut and Professionalism," by Alice Pfeiffer
Art in America , International Review, October 19, 2009,
Art Ltd., May 2009, "Naomie Kremer: Paintings and Hybrids at Modernism" by Hearne Pardee
ArtNews, March 2008, p. 147-8, "Naomie Kremer, Modernism" by Lea Feinstein
Bluebeard's Castle (click here to see excerpts of reviews)
Art In America, June/July 2007, p. 206, "Naomie Kremer at Hosfelt" by Leigh Anne Miller
ArtNews, March 2007, p. 145-6, "Naomie Kremer and Crystal Liu at Hosfelt Gallery" by Robert Ayers
The L Magazine, Jan 31-Feb 13, 2007, p. 60, "Naomie Kremer: Pleasure and Paint" by Kate Lowenstein
PiL', October 2006, p. 27, "Le dessin au travail" by Christophe Cesbron
Art News, October 2005, p. 174-6, "Naomie Kremer, Modernism West, San Fransisco" by Kenneth Baker
Artweek, September 2005, Volume 36, Issue 7, p.16 "Naomie Kremer at the Judah L. Magnes Museum," by Jordan Essoe
Apple Computer, July 22, 2005, Apple Pro, "Paint Moves," by Barbara Gibson
San Jose Mercury News, May 1, 2005, Arts & Entertainment, p. 5-E, "Painting with urgency: An artist grapples with the flow of time," by Jack Fischer
Metro Silicon Valley, April 20-26, 2005, p. 53 "Pigment Pleasures: The abstractions of Naomie Kremer shimmer in full flux at SJICA," by Michael S. Gant
Vyu Magazine, Issue 22, Interview with Naomie Kremer
Art News, January 2005, p. 132, "25th Anniversary, Modernism San Francisco," by Kenneth Baker
Art Contemporaries, Winter 2004, cover and p. 12-13, "Keeping Time: Naomie Kremer Works, 1992-2004," by Cathy Kimball
Ouest France, "Naomie Kremer," December 10, 2004, p. 8
Sortir, "Naomie Kremer" December 7, 2004, Rennes, France, p. 25
Art News, September 2004, p. 94, "City Focus: San Francisco - Bubbling Over in Talent," by Kenneth Baker
San Francisco Arts Monthly, April 2004, Volume 13, Number 11, p. 1, "Art Dealers Champion Bay Area Visual Art," by Sura Wood
Tema Celeste, Vol. 92 , Summer 2002, pp. 18-21, "Behind the veil," by Reena Jana
Smithsonian Archives of American Art Journal, Vol. 41, 2001, p. 74, "West Coast Regional Report," by Paul Karlstrom
UCSF Newsbreak, Vol. 17, NO. 21, "Campus Enjoys Banner Year for Art in Public Places," by Lisa Cisneros
ArtNews, Summer 2001, p. 179, "Naomie Kremer, Modernism, San Francisco," by Kenneth Baker
Artweek, Vol. 32, Issue 5, May 2001, p.18, "Naomie Kremer at Modernism," by Harry Roche
San Francisco Chronicle, Saturday, November 27th, 1999, Datebook p.1
"Abstract Ideas People Can See," by Kenneth Baker
NY Arts, October, 1999, Vol. 4 No. 10, previews/reviews
Max Cole, Naomie Kremer, Christine Taylor Patten at Knoedler Gallery
San Francisco Chronicle, Thursday, July 9th, 1998, Datebook p.1
"Intense Paintings Engross Viewers in Another's Mind," by Kenneth Baker
Art News, October, 1998, p.150
"Naomie Kremer, Modernism, San Francisco," By Marcia Tanner
San Francisco Examiner, Tuesday, August 11, 1998, section B, p.1
"Ten Takes on Painterly Abstraction," By David Bonetti
Artweek, September, 1998, p.19
"Naomie Kremer and Sheldon Greenberg at Modernism," by Juan Rodriguez
San Francisco Arts Monthly, June, 1998, Vol. 9, No. 2, p.1
"50/Fifty: Israeli Art from Bay Area Collections," by Claudia Gioseffi
Flash Art International, Summer, 1997, p. 99
"Gottfried Helnwein/Naomie Kremer, Modernism, San Francisco," by Reena Jana
Zyzzyva, Summer, 1996, pp.41-45
"For the Record," images and words by Naomie Kremer
Asian Art News, Jan/Feb 1995, p.69
"Naomie Kremer at the San Francisco Museum of Modern Art Rental Gallery," by Reena Jana
San Francisco Bay Guardian, October 26, 1994, p.72
"Critic's Choice - Art: Naomie Kremer," by Harry Roche
Artweek, May 19, 1994, p.17
"Back in Style," by Naomie Kremer
Artweek, April, 1993, p.21
"On Painting: Some Notes," by Naomie Kremer
Artweek, December 1992, pp.16-18
"Landmarks along the city streets: A phenomenon called bus shelter art," by Reena Jana
"The Bus Shelter Gallery: An Artistic Statement," By Naomie Kremer
"Between the Lines, Art Brut and Professionalism," by Alice Pfeiffer